“Don’t give us any spoilers,” one
of my friends warned me today when I told her I was intending to review Undivided by Vicky Beeching. So I shall
try not to.
One of the classic errors when
writing about a book is confuse its genre, for example to treat fiction as
though it’s a work of history. Of course Pride
and Prejudice has a historical context, but it’s not a historical chronicle.
So we need to avoid judging a book by what it’s not claiming to be. Such is the
mistake made by the one hostile review I’ve been sent. Vicky Beeching, both in
her Preface and Final Disclaimers, makes clear what she is writing. “This is
not a theology book or an academic essay; it’s a memoir.” It is a category
mistake to regard it as polemic or political. It is a personal memoir. It’s a
contemporary story of one very gifted and prominent young musician struggling
with her sexuality in an antagonistic culture. In effect, she simply says, "This is how it was for me."
So how does Undivided do as a memoir? For me it was eye-opening and harrowing.
Although I’ve met Vicky once, I had no idea of the pilgrim’s progress she had
been through. Now I understand a bit more. She is extraordinarily honest about
her life, her thoughts and her faith – something which lies at the heart of her
being.
In her early teens, Vicky
realised that she was gay. For her it immediately created a conflict because at
an even younger age she had committed herself to faith in Jesus Christ, and the
evangelical culture in which she was brought up considered the two
incompatible. One could not be gay and a Christian. And so for the next twenty
years of her life, living in the heart of that particular Christian world, she
struggled to be free of her nature and was constantly in fear of her
orientation being uncovered. That struggle led to despair, many tears and the
point of suicide.
Having myself grown into a
similar world, I recognised the situations that she describes as true to life,
from youth camps, to inappropriate use of the Bible, to double standards, and
courageous stands. I also recognise the honesty of internal questioning and
doubting to which she admits. It’s clear that her sexuality is not a result of
nurture. Her family and her heroes of faith are staunchly conventional in their
teaching on the matter. Her sister is straight. She grows up wishing she was too.
The reason that Vicky’s story
captured the headlines like no other is that she was arguably the most popular
female song-writer and worship leader of the noughties on both sides of the
Atlantic, and in the US the Christian music business is a multi-million dollar
concern. Educated in theology at Wycliffe, the evangelical hall in Oxford, her musical gift gained an added theological depth, so that when she
went to the States in her early twenties her talent was recognised and she was soon
signed up by EMI. She was in demand in mega-churches and on radio stations
across the country. Her tour schedule was gruelling, much of it in the southern
Bible Belt, where there was particular antipathy to the LGBTQ+ movement. As is
now well known, it was her physical health that put a stop to her stellar life
as a Christian song-writer and performer, and brought her back to England for urgent
treatment on the National Health Service.
Having admitted to herself that
she needed to come out in order to become whole and live free from shame, Vicky
then went through a rigorous study of the Bible, which remained the foundation
of her faith, in order to see whether she had come to the wrong conclusion. She
highlights two occasions, in Brompton Oratory and St Paul’s Cathedral, which
lead her to the conclusion that she was right. “God was letting me in on a new
perspective, one of radical acceptance and inclusion. ‘Do not call unclean what
I have made clean’ echoed round my head and heart. The person I’d always been –
a gay person – was not something to be ashamed of. God accepted me and loved
me, and my orientation was part of his grand design.”
In the final section, “Into the
Unknown”, Vicky writes about her interview with Patrick Strudwick which was
published in The Independent newspaper in August 2014, and grabbed the
headlines worldwide within 24 hours. Read it here.
The fall-out from her admitting that she was gay beggared belief and, I am
deeply sorry, reflected very sadly on the Christian community to which I belong
and which she still calls hers. It extended far beyond disagreement into
contumely, condemnation and threats. Practically her music was widely boycotted
and engagements cancelled or not renewed, drying up her income stream and threatening
her livelihood.
When she was a child, Vicky’s
ambition was to be a missionary like her much loved grandparents. If there is
any happy ending to this gritty book, it must be that she is now representing
faith in unlikely places, most of all in the LGBTQ+ community, where her Christian
faith in the face of all odds is recognised and given a voice.
So, who should read Undivided, and why?
First, let’s start with people
like me: straight Christians, brought up to be suspicious or judgmental about
homosexuality. It gave me vivid insight into really what it is to be
differently orientated in a still intolerant community. The book is dedicated
“to the memory of Lizzie Lowe, a fourteen-year-old British girl who tragically
took her own life in 2014 because she feared telling her Christian community
that she was gay”. It’s almost impossible to grasp the nature and power of that
fear until you read a memoir as well-written as this.
Secondly, gay Christians should
read it, especially if you’re young. You will find you’re not alone, and that
it’s possible to be gay and Christian, and have as full and fulfilled a life as
anyone else. In fact, it would be so for any gay person no matter of what faith.
Thirdly, everyone should read it,
wherever you stand. It is an honest insight into authentic living. It is a
moving account of a hard-won liberation from fear and shame. And it's a good read.
I suspect there are many young
people worldwide who are in a similar situation to Vicky’s. What she has given
us, by virtue of her former popularity in the Anglophone world, is a view
through a magnifying glass of their experience. We may make of it what we will.
We may embrace it and support their freedom. We may dismiss it and resist any
change. We may simply choose to take note of it. What we may not do is ignore
it. I'm reminded of Martin Luther's apologia, "Here I stand. I can do no other." Please read it from beginning to end. Thank you, Vicky Beeching.
PS I still think The Wonder of the Cross is one of the greatest worship songs ever! How truly tragic that Vicky is no longer considered as acceptable in worship.